Oso de Oro:
Cesare deve morire (Caesar Must Die)
película italiana de Paolo & Vittorio Taviani
(también ganadora del premio ecuménico)
The performance of Shakespeare’s Julius Caesar comes to an end and the performers are rewarded with rapturous applause. The lights go out; the actors leave the stage and return to their cells. They are all inmates of the Roman maximum security prison Rebibbia. One of them comments: ‘Ever since I discovered art this cell has truly become a prison’.
Filmmakers Paolo and Vittorio Taviani spent six months following rehearsals for this stage production; their film demonstrates how the universality of Shakespeare’s language helps the actors to understand their roles and immerse themselves in the bard’s interplay of friendship and betrayal, power, dishonesty and violence. This documentary does not dwell on the crimes these men have committed in their ‘real’ lives; rather, it draws parallels between this classical drama and the world of today, describes the commitment displayed by all those involved and shows how their personal hopes and fears also flow into the performance.
After the premiere the cell doors slam shut behind Caesar, Brutus and the others. These men all feel proud and strangely touched, as if the play has somehow revealed to them the depths of their own personal history.
Premio del Jurado, Oso de Plata:
Csak a szél (Just The Wind)
de Bence Fliegauf (Hungría)
(también ganó el premio de Amnistía Internacional)
News quickly spreads of the murder of a Romany family in a Hungarian village. The perpetrators have escaped and nobody claims to know who might have committed the crime. For another Romany family living close by, the murder only serves to confirm their latent, carefully repressed fears. Far away in Canada the head of the family decides that his wife, children and their grandfather must join him as soon as possible. Living in fear of the racist terror that surrounds them and feeling abandoned by the silent majority, the family tries to get through the day after the attack. By nightfall when darkness descends on the village the family pushes the beds closer together than usual. Yet their hope of escaping the madness proves illusory.
Based on an actual series of killings in Hungary that claimed the lives of eight people in less than a year, Bence Fliegauf portrays the pogrom-like atmosphere which breeds such violence. The camera stays hot on the heels of the protagonists, making the breathless escalation of events physically palpable.
Premio especial del Jurado (Oso de Plata):
Gurehto Rabitto (The Great Rabbit)
by Atsushi Wada
This dreamlike film uses a unique, surreal language to tickle our unconscious while showing us the confusion of the modern world in animated form. Using a delicate hand drawn style, Atsushi Wada decodes reality with absurd sequences of characters caught in time.
DAAD Short Film Prize:
The Man that Got Away
by Trevor Anderson
This eccentric film employs outstanding music and choreography to create a hilarious, personal narrative full of emotion.
THE MAN THAT GOT AWAY movie trailer from Trevor Anderson on Vimeo.
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